The month-long culinary tour by Chef Pilar Cabrera in Toronto, showcasing Oaxacan cuisine, is well under way. After both judging and competing in the Toronto Harbourfront Centre International Hot & Spicy Food Festival, Chef Pilar has now begun working her magic at select venues. Tonight marks her second evening working at private dinner parties in the Toronto area. And she has already appeared at Frida Restaurant, at an evening entitled A Taste of Oaxaca, featuring Chef Pilar as well as Chef Jose Hadad, with Master Sommelier John Szabo. It was an artistic celebration of the Mexican Independence Day, on September 16:
Course 1 - Chef Pilar:
Crema de Chile Poblano, with fresh Ontario corn, zuchini and woodland mushrooms, paired with NV Cava Cordonui, Seleccion Raventos Reserva, Spain
Course 2 - Chef Jose:
Ensalada de Nopalitos; fresh nopal cactus, feta cheese, Ontario roma tomatoes and onions, with arbol chile vinaigrette, paired with 2007 Off Dry Reserve Riesling Henry of Pelham VQA Niagara, Ontario
Course 3 - Chef Pilar:
Brochetitas de Camaron, with a mango and chile salsa, paired with 2008 Gruner Veltliner Kies Vineyard, Kurt Angerer, Kamptal, Austria, or Mini Margarita de Mango
Course 4 - Chef Jose:
Tamal de Barbacoa de Cordero; steamed lamb tamal with Ontario spinach, tomato-morita sauce, Ontario Asparagus, paired with 2004 Tempramillo Crianza "Puerta de Alcala" Vinos Jeromin, Madrid, Spain
Course 5 - Chef Pilar:
Medallon de Pavo Relleno; stuffed turkey medallion with plantain, served with Mole Negro and Mexican rice, paired with 2006 Petite Sirah, L.A. Cetto, Baja, Mexico, or Cerveza Negra Modelo.
Course 6 - Dessert Duo with Chefs Pilar and Jose:
Pay de Requeson con Salsa de Chocolate Oaxaqueno and Churros de la Esquina with fresh Ontario berries and warm goat's milk cajeta, paired with 2007 Late Harvest Riesling, Chateau des Charmes, VQA Niagara-on-the-Lake, Canada.
All remaining venues except one, are completely sold out for the month, and in fact Frank Resaurant at the Art Gallery of Ontario, overbooked by 20, in part due to the pairing of Chef Pilar's event with renowned Oaxacan artist Gabriela Campos.
There are a limited number of seats still available at Veritas Local Fare, on King Street East in Toronto, for September 23.
Alvin Starkman - Casa Machaya Oaxaca Bed & Breakfast
8/24/2009
Oaxacan invited to Iron Chef Canada competition
The Government of Mexico has partnered with Toronto's Harbourfront Centre Hot & Spicy Food Festival, to invite Oaxacan chef Pilar Cabrera to compete in its Iron Chef competition. The festival, which runs from September 4th through the 7th, will feature Chef Cabrera competing against a chef from Louisiana, USA, in a semi-final scheduled for Sunday September 6 at 4:30 pm. The winner of this and the other semi-final will compete for the Iron Chef title the following day. This appearance for Chef Cabrera adds to the earlier noted dates of her Toronto culinary tour. The full calendar of events, with websites in most cases indicating chef Cabrera's attendance, now reads as follows (not including private dinner party engagements:
Harbourfront Centre Hot & Spicy Food Festival, Iron Chef Competition, Sept 6
http://www.harbourfrontcentre.com/worldroutes/festivals.cfm?id=1284
Frida Restaurant, Sept 16
http://fridarestaurant.ca/events.html
Frank Restaurant, Art Gallery of Ontario, Sept 21
http://www.ago.net/latin-inspirations
Nella Cucina Cooking School, Sept 22 & 24
http://www.nellacucina.ca/cucina/event.html?Year=2009&Month=9
Veritas Local Fare, Sept 23
http://localfare.ca/
Torito Tapas Bar, Sept 28
http://www.toritorestaurant.com/index.php (not yet noted on website)
The Chef’s House, Sept 29
http://www.thechefshouse.com (not yet noted on website)
Alvin Starkman, Casa Machaya Oaxaca Bed & Breakfast
Harbourfront Centre Hot & Spicy Food Festival, Iron Chef Competition, Sept 6
http://www.harbourfrontcentre.com/worldroutes/festivals.cfm?id=1284
Frida Restaurant, Sept 16
http://fridarestaurant.ca/events.html
Frank Restaurant, Art Gallery of Ontario, Sept 21
http://www.ago.net/latin-inspirations
Nella Cucina Cooking School, Sept 22 & 24
http://www.nellacucina.ca/cucina/event.html?Year=2009&Month=9
Veritas Local Fare, Sept 23
http://localfare.ca/
Torito Tapas Bar, Sept 28
http://www.toritorestaurant.com/index.php (not yet noted on website)
The Chef’s House, Sept 29
http://www.thechefshouse.com (not yet noted on website)
Alvin Starkman, Casa Machaya Oaxaca Bed & Breakfast
8/15/2009
Canadian artist Fiona Dunnett: Images of self and death in Oaxaca are muted with comic style and collage
Alvin Starkman, M.A., LL.B.
Comic strips, a young Canadian’s self portraits, and photographs of violent deaths in a Mexican daily newspaper, make strange bedfellows. But they constitute a major part of the driving force for the creative energies of Fiona Dunnett.
Ottawa-born Dunnett has been living in Oaxaca since 2005. As in the case of so many artists who now reside in this city in southern Mexico, her arrival has been rather circuitous. And like so many others, her artistic talent has been influenced at virtually every stop along the way. At age five she left Canada for Bangladesh with her Canadian diplomat mother and the rest of her family. After three years it was back to Ottawa, and then a further three years in Zimbabwe.
“When I left Zimbabwe I felt close to South Africa. I took a course in stone sculpture while there, so yes, I suppose living in Zimbabwe has had somewhat of an influence on what I do today,” she surmises. But it was her upper level academic training, first at the Canterbury School of Arts, followed by British Columbia’s University of Victoria from which she graduated with an Hons. B.A. in Fine Arts, which exposed her to the personages who have impacted her creativity the most.
“I’ve had a strong interest in the work of Gustav Klimt [1862 – 1918],” Dunnett reveals. The Austrian symbolist painter was one of the most prominent members of the Vienna Art Nouveau movement, yet a controversial figure in his time, criticized for his works being too sensual and erotic. She continues: “But it’s Lichtenstein whose art I’ve actually made more of a conscious effort to respect and carry forward, imprinting it with a bit of my own personality and life experiences.”
Roy Fox Lichtenstein [1923 – 1997] was a prominent American pop artist, whose work was heavily influenced by both popular advertising and the comic book style. The latter clearly shines through in Dunnett’s more recent works, and in an earlier piece which graces a wall in her home in Oaxaca’s Xochimilco neighborhood which she shares with her boyfriend and three others: “That one’s based on a dream I had, certainly with overt comic book imagery; in the particular dream there was a calenda (parade), with bodies being dragged through the streets. I once did a series based on my dreams. I dyed the red sky forming part of the background of this canvas with cochineal [the minute insect with naturally produces carminic acid, and was an important export industry for Oaxaca during colonial times].”
Dunnett is much too modest. Since moving to Oaxaca there’s no doubt that she’s put her own mark on the comic style, with her un-daunting desire to learn, and innovate. The geographical, cultural and political environment in which she lives provides her with diverse opportunities for artistic inspiration. She attended a workshop to learn about the use of natural dyes such as flowers, plants and of course cochineal, at the educational and research facility known as Centro de Difusión de la Grana Cochinilla Tlapanochestli. “For quite some time I’d been thinking about using natural dyes in my work, but it wasn’t until a couple of years ago that I realized that here in Oaxaca [actually a few kilometers out of the city, in Santa María Coyotepec] I had the opportunity to learn about their use from an expert, Manuel Loera Fernández, the chemist at Tlapanochestli. There’s just so much artistic stimulation in Oaxaca that it’s hard to resist taking advantage of everything available.”
Dunnett has also participated in more traditional hands-on seminars, at the well-known Graphic Arts Institute of Oaxaca (IAGO) and at a couple of other institutes in the city. Towards the other end of the spectrum, she credits two local graffiti stencil art groups with providing her with additional inspiration, which becomes apparent after an examination of her work.
“I began moving out of realism and into stylized, surreal works towards the end of my Canadian academic training. It was about the same time that I began working with mixed media, my strong preference at this stage of my development.” Coming to Oaxaca was perhaps the catalyst she required in order to begin more experimental work, within the context of an extremely encouraging environment.
Aside from a leaning towards the use of natural colors for backgrounds on her canvasses, one of the major identifying features of Dunnett’s work is her use of collage --- cut-outs from newspapers, magazines and comic books. Another is using photographs of her own head and face to provide the stimulus for her portrayal of expressions and poses she seeks to capture for each subject. Almost every head in every work is based on a self-photographic portrait:
“I started doing self-portraits when I began doing photography several years ago. Then when I moved into painting, I had this corpus of self-photos, so I was able to draw from them for my art. Although I wanted to shoot other people, I never felt at ease doing so. And though my boyfriend and I have been together for close to four years, I still don’t feel comfortable photographing even him. So it’s all me, perhaps because of being shy when it comes to shooting others. But that red one over there, textured with corn husks from tamales, it’s an experiment, using a face that’s not my own --- I think it’s best if I stick to my own face.”
Each face evokes different emotions, and images of self. “The faces make eye contact; viewers’ eyes move around each work and then return to the eyes and face,” she explains. It’s undeniable that Dunnett’s own pleasing facial features, and her comport, once transferred to canvas, play a significant role in directing the viewer. She has masterfully photographed her head and upper body at every angle and with a plethora of facial expressions for use in her work.
But there’s another reason we return to the images of Dunnett’s facial expressions: The torso and limbs of each primary subject portrayed is far too troubling --- each is a digitalized version of a photograph of a person who has died a violent death, usually in a traffic collision or as a consequence of domestic conflict, captured by Dunnett from both print and online versions of a Oaxacan daily, Noticias Voz e Imagen de Oaxaca. But in the artist herself, there is a sense of calm.
“I started using those photographs because they just began to jump out at me. You never see anything like it in Canada. In Oaxaca, it’s on the street corners and in the newsstands. Death here seems to be an everyday thing, and attitudes towards death are so different than from where you and I come from, not so hidden away.”
Dunnett stresses that her intention is not to invoke feelings of horror, nor reveal the gruesome. The facial expressions she initially captures with a lens, then transposes onto canvas with brush, lead us away. In the case of her work with a collaged iguana, it’s curiosity in her face, rather than demonic imagery of death, which draws one in.
The juxtaposition of death against the aesthetics of comic imagery is striking, almost as much as the multiplicity of presentations of Dunnett’s own self. It’s that combination which maintains the viewer’s awe of and transfixation upon her work. Perhaps Fiona Dunnett never should break out of her reticence about photographing the faces of others.
Alvin Starkman has a Masters in Social Anthropology from Toronto’s York University, and a law degree from Osgoode Hall Law School. Alvin ceased practicing law in 2004, when he and his wife Arlene began living permanently in Oaxaca. Since that time, Alvin has written over 90 articles about life and cultural traditions in and around Oaxaca and its central valleys, for newspapers, magazines, and websites promoting tourism in Mexico and abroad. Alvin and Arlene operate Casa Machaya Oaxaca Bed & Breakfast (http://www.oaxacadream.com).
Comic strips, a young Canadian’s self portraits, and photographs of violent deaths in a Mexican daily newspaper, make strange bedfellows. But they constitute a major part of the driving force for the creative energies of Fiona Dunnett.
Ottawa-born Dunnett has been living in Oaxaca since 2005. As in the case of so many artists who now reside in this city in southern Mexico, her arrival has been rather circuitous. And like so many others, her artistic talent has been influenced at virtually every stop along the way. At age five she left Canada for Bangladesh with her Canadian diplomat mother and the rest of her family. After three years it was back to Ottawa, and then a further three years in Zimbabwe.
“When I left Zimbabwe I felt close to South Africa. I took a course in stone sculpture while there, so yes, I suppose living in Zimbabwe has had somewhat of an influence on what I do today,” she surmises. But it was her upper level academic training, first at the Canterbury School of Arts, followed by British Columbia’s University of Victoria from which she graduated with an Hons. B.A. in Fine Arts, which exposed her to the personages who have impacted her creativity the most.
“I’ve had a strong interest in the work of Gustav Klimt [1862 – 1918],” Dunnett reveals. The Austrian symbolist painter was one of the most prominent members of the Vienna Art Nouveau movement, yet a controversial figure in his time, criticized for his works being too sensual and erotic. She continues: “But it’s Lichtenstein whose art I’ve actually made more of a conscious effort to respect and carry forward, imprinting it with a bit of my own personality and life experiences.”
Roy Fox Lichtenstein [1923 – 1997] was a prominent American pop artist, whose work was heavily influenced by both popular advertising and the comic book style. The latter clearly shines through in Dunnett’s more recent works, and in an earlier piece which graces a wall in her home in Oaxaca’s Xochimilco neighborhood which she shares with her boyfriend and three others: “That one’s based on a dream I had, certainly with overt comic book imagery; in the particular dream there was a calenda (parade), with bodies being dragged through the streets. I once did a series based on my dreams. I dyed the red sky forming part of the background of this canvas with cochineal [the minute insect with naturally produces carminic acid, and was an important export industry for Oaxaca during colonial times].”
Dunnett is much too modest. Since moving to Oaxaca there’s no doubt that she’s put her own mark on the comic style, with her un-daunting desire to learn, and innovate. The geographical, cultural and political environment in which she lives provides her with diverse opportunities for artistic inspiration. She attended a workshop to learn about the use of natural dyes such as flowers, plants and of course cochineal, at the educational and research facility known as Centro de Difusión de la Grana Cochinilla Tlapanochestli. “For quite some time I’d been thinking about using natural dyes in my work, but it wasn’t until a couple of years ago that I realized that here in Oaxaca [actually a few kilometers out of the city, in Santa María Coyotepec] I had the opportunity to learn about their use from an expert, Manuel Loera Fernández, the chemist at Tlapanochestli. There’s just so much artistic stimulation in Oaxaca that it’s hard to resist taking advantage of everything available.”
Dunnett has also participated in more traditional hands-on seminars, at the well-known Graphic Arts Institute of Oaxaca (IAGO) and at a couple of other institutes in the city. Towards the other end of the spectrum, she credits two local graffiti stencil art groups with providing her with additional inspiration, which becomes apparent after an examination of her work.
“I began moving out of realism and into stylized, surreal works towards the end of my Canadian academic training. It was about the same time that I began working with mixed media, my strong preference at this stage of my development.” Coming to Oaxaca was perhaps the catalyst she required in order to begin more experimental work, within the context of an extremely encouraging environment.
Aside from a leaning towards the use of natural colors for backgrounds on her canvasses, one of the major identifying features of Dunnett’s work is her use of collage --- cut-outs from newspapers, magazines and comic books. Another is using photographs of her own head and face to provide the stimulus for her portrayal of expressions and poses she seeks to capture for each subject. Almost every head in every work is based on a self-photographic portrait:
“I started doing self-portraits when I began doing photography several years ago. Then when I moved into painting, I had this corpus of self-photos, so I was able to draw from them for my art. Although I wanted to shoot other people, I never felt at ease doing so. And though my boyfriend and I have been together for close to four years, I still don’t feel comfortable photographing even him. So it’s all me, perhaps because of being shy when it comes to shooting others. But that red one over there, textured with corn husks from tamales, it’s an experiment, using a face that’s not my own --- I think it’s best if I stick to my own face.”
Each face evokes different emotions, and images of self. “The faces make eye contact; viewers’ eyes move around each work and then return to the eyes and face,” she explains. It’s undeniable that Dunnett’s own pleasing facial features, and her comport, once transferred to canvas, play a significant role in directing the viewer. She has masterfully photographed her head and upper body at every angle and with a plethora of facial expressions for use in her work.
But there’s another reason we return to the images of Dunnett’s facial expressions: The torso and limbs of each primary subject portrayed is far too troubling --- each is a digitalized version of a photograph of a person who has died a violent death, usually in a traffic collision or as a consequence of domestic conflict, captured by Dunnett from both print and online versions of a Oaxacan daily, Noticias Voz e Imagen de Oaxaca. But in the artist herself, there is a sense of calm.
“I started using those photographs because they just began to jump out at me. You never see anything like it in Canada. In Oaxaca, it’s on the street corners and in the newsstands. Death here seems to be an everyday thing, and attitudes towards death are so different than from where you and I come from, not so hidden away.”
Dunnett stresses that her intention is not to invoke feelings of horror, nor reveal the gruesome. The facial expressions she initially captures with a lens, then transposes onto canvas with brush, lead us away. In the case of her work with a collaged iguana, it’s curiosity in her face, rather than demonic imagery of death, which draws one in.
The juxtaposition of death against the aesthetics of comic imagery is striking, almost as much as the multiplicity of presentations of Dunnett’s own self. It’s that combination which maintains the viewer’s awe of and transfixation upon her work. Perhaps Fiona Dunnett never should break out of her reticence about photographing the faces of others.
Alvin Starkman has a Masters in Social Anthropology from Toronto’s York University, and a law degree from Osgoode Hall Law School. Alvin ceased practicing law in 2004, when he and his wife Arlene began living permanently in Oaxaca. Since that time, Alvin has written over 90 articles about life and cultural traditions in and around Oaxaca and its central valleys, for newspapers, magazines, and websites promoting tourism in Mexico and abroad. Alvin and Arlene operate Casa Machaya Oaxaca Bed & Breakfast (http://www.oaxacadream.com).
8/13/2009
September final itinerary for Oaxaca culinary month in Toronto
For those who reside in Southern Ontario or will be visiting Toronto, September offers a rare opportunity to indulge in authentic, Oaxacan food, prepared by one if the best in the business, native Oaxacan chef Pilar Cabrera.
Pilar Cabrera, owner of Casa de los Sabores Cooking School and Restaurante La Olla, will be in Toronto from September 10th through the 29th, as honoured guest chef at several Toronto restaurants; and teaching the art of Oaxacan gastronomy at a popular cooking school. And for a limited number of dates, Pilar will also be available for private dinner parties for those wishing to showcase the rich tradition of Oaxacan cuisine to friends and family in their own home. (Scroll down for details of an up-to-date schedule of dates and events).
Those who attend one of Pilar’s events will be able to participate in a raffle for a complimentary week’s accommodations in Oaxaca, to be awarded to two lucky couples.
For Americans and Canadians who have not had an opportunity to learn about Oaxaca’s rich culinary heritage by taking one of Pilar’s classes or dining at her restaurant, a brief biographical sketch is in order.
Pilar grew up in Oaxaca, enveloped by the state’s history of culinary diversity and unique ingredient and flavour combinations. She learned the basics and the cuisine’s subtleties from her mother and grandmother. After completing a food engineering and nutrition degree in Mexico City, she worked in research and development for the food giant Herdez-McCormick before returning to her true passion – cooking.
Pilar has found a growing fan base of intrigued foodies through her “House of Flavours” cooking school. As well, she has taught both novice and renowned chefs from around the globe. Well known American chef and owner of Chicago’s Frontera Grill, Rick Bayless, regularly brings his own staff as well as private groups of food aficionados to Oaxaca, where they dine at Pilar’s restaurant, and attend her classes – at his insistence. Chef Bayless recently had this to say about Pilar:
I would strongly urge anyone with an interest in Mexican food to take advantage of any opportunity to learn from and experience the Oaxacan cuisine of Pilar Cabrera. She is one of the greats!
And if that praise isn’t enough, both New York Times and Bon Appetit have echoed similar sentiments.
Pilar’s schedule of September attendances in Toronto, thus far, is as follows:
· Wednesday, September 16th at Frida (http://www.fridarestaurant.ca/index.html ) - arguably Toronto's best Mexican restaurant where Pilar will be cooking with the chef/owner of Frida- Jose Haddad. That will likely be a six-course dinner event- half the menu prepared by Pilar, half by Chef Jose;
· Sunday the 20th, Private Dinner Party;
· On the 21st of Sept., Pilar will be at the Art Gallery of Ontario’s Frank Restaurant, preparing a Prix Fixe Menu with the talented Chef Anne Yarymowich and her team. That evening will also feature Latin American/Mexican art for diners to enjoy. http://www.ago.net/frank-restaurant-contemporary-comfort-cuisine-toronto
(we’re hoping to get Mexican artist Gabriela Campos to participate);
· On the 22nd of September (Tuesday), Nella Cucina's Cooking School under culinary Director Joanne Lusted's guidance, is hosting Pilar for a cooking class. To order your spots on-line- go to: http://www.nellacucina.ca/cucina/event.html?Year=2009&Month=9 or feel free to call the school if you'd prefer. It will be an, interactive demo class where you'll learn how to make Oaxacan classics from Pilar herself and take home the recipes too;
· On the 23rd of September, Chef Pilar joins the Food Network Canada's Brad Long at VERITAS located on King Street East for a special multi-course, prix fixe meal. http://www.dine.to/profile_features.php?feature=website&id=3710 - the focus here will be on using as many local, seasonal and sustainable products from Ontario as possible, in keeping with Chef Long's philosophy;
· Nella Cucina’s Cooking School has reserved this date for members of the Women’s Culinary Network;
· The 28th of September- Pilar will prepare a Botanas-based menu for Torito Tapas Bar & Restaurant in Kensington Market. She'll join Torito´s talented team to bring Torontonians Mexico's version of tapas which are sure to please: http://www.toritotapasbar.com/ ;
· On the 29th, the culinary students and professional chefs of George Brown College's "The Chef's House" will host Pilar for her last guest cooking spot in Toronto. She'll craft a special menu prepared by her and the students for her farewell dinner to Toronto. http://www.thechefshouse.com/ .
Feel free to contact whichever venue interests you to ascertain hours of operation and further details. Alternatively you can contact Toronto food researcher, writer and TV producer, Mary Luz Mejia, who has been instrumental in orchestrating Pilar’s visit, at 416 -763-3455; or email, mluzy@hotmail.com.
This culinary tour is the first of hopefully several forays by Oaxacans who are at the pinnacle of their careers, into Canada. All proceeds from this series of events will go directly to Pilar. Proceeds of future tours, by others, will follow suit.
Alvin Starkman - Casa Machaya Oaxaca Bed & Breakfast
Pilar Cabrera, owner of Casa de los Sabores Cooking School and Restaurante La Olla, will be in Toronto from September 10th through the 29th, as honoured guest chef at several Toronto restaurants; and teaching the art of Oaxacan gastronomy at a popular cooking school. And for a limited number of dates, Pilar will also be available for private dinner parties for those wishing to showcase the rich tradition of Oaxacan cuisine to friends and family in their own home. (Scroll down for details of an up-to-date schedule of dates and events).
Those who attend one of Pilar’s events will be able to participate in a raffle for a complimentary week’s accommodations in Oaxaca, to be awarded to two lucky couples.
For Americans and Canadians who have not had an opportunity to learn about Oaxaca’s rich culinary heritage by taking one of Pilar’s classes or dining at her restaurant, a brief biographical sketch is in order.
Pilar grew up in Oaxaca, enveloped by the state’s history of culinary diversity and unique ingredient and flavour combinations. She learned the basics and the cuisine’s subtleties from her mother and grandmother. After completing a food engineering and nutrition degree in Mexico City, she worked in research and development for the food giant Herdez-McCormick before returning to her true passion – cooking.
Pilar has found a growing fan base of intrigued foodies through her “House of Flavours” cooking school. As well, she has taught both novice and renowned chefs from around the globe. Well known American chef and owner of Chicago’s Frontera Grill, Rick Bayless, regularly brings his own staff as well as private groups of food aficionados to Oaxaca, where they dine at Pilar’s restaurant, and attend her classes – at his insistence. Chef Bayless recently had this to say about Pilar:
I would strongly urge anyone with an interest in Mexican food to take advantage of any opportunity to learn from and experience the Oaxacan cuisine of Pilar Cabrera. She is one of the greats!
And if that praise isn’t enough, both New York Times and Bon Appetit have echoed similar sentiments.
Pilar’s schedule of September attendances in Toronto, thus far, is as follows:
· Wednesday, September 16th at Frida (http://www.fridarestaurant.ca/index.html ) - arguably Toronto's best Mexican restaurant where Pilar will be cooking with the chef/owner of Frida- Jose Haddad. That will likely be a six-course dinner event- half the menu prepared by Pilar, half by Chef Jose;
· Sunday the 20th, Private Dinner Party;
· On the 21st of Sept., Pilar will be at the Art Gallery of Ontario’s Frank Restaurant, preparing a Prix Fixe Menu with the talented Chef Anne Yarymowich and her team. That evening will also feature Latin American/Mexican art for diners to enjoy. http://www.ago.net/frank-restaurant-contemporary-comfort-cuisine-toronto
(we’re hoping to get Mexican artist Gabriela Campos to participate);
· On the 22nd of September (Tuesday), Nella Cucina's Cooking School under culinary Director Joanne Lusted's guidance, is hosting Pilar for a cooking class. To order your spots on-line- go to: http://www.nellacucina.ca/cucina/event.html?Year=2009&Month=9 or feel free to call the school if you'd prefer. It will be an, interactive demo class where you'll learn how to make Oaxacan classics from Pilar herself and take home the recipes too;
· On the 23rd of September, Chef Pilar joins the Food Network Canada's Brad Long at VERITAS located on King Street East for a special multi-course, prix fixe meal. http://www.dine.to/profile_features.php?feature=website&id=3710 - the focus here will be on using as many local, seasonal and sustainable products from Ontario as possible, in keeping with Chef Long's philosophy;
· Nella Cucina’s Cooking School has reserved this date for members of the Women’s Culinary Network;
· The 28th of September- Pilar will prepare a Botanas-based menu for Torito Tapas Bar & Restaurant in Kensington Market. She'll join Torito´s talented team to bring Torontonians Mexico's version of tapas which are sure to please: http://www.toritotapasbar.com/ ;
· On the 29th, the culinary students and professional chefs of George Brown College's "The Chef's House" will host Pilar for her last guest cooking spot in Toronto. She'll craft a special menu prepared by her and the students for her farewell dinner to Toronto. http://www.thechefshouse.com/ .
Feel free to contact whichever venue interests you to ascertain hours of operation and further details. Alternatively you can contact Toronto food researcher, writer and TV producer, Mary Luz Mejia, who has been instrumental in orchestrating Pilar’s visit, at 416 -763-3455; or email, mluzy@hotmail.com.
This culinary tour is the first of hopefully several forays by Oaxacans who are at the pinnacle of their careers, into Canada. All proceeds from this series of events will go directly to Pilar. Proceeds of future tours, by others, will follow suit.
Alvin Starkman - Casa Machaya Oaxaca Bed & Breakfast
7/30/2009
Retire in Oaxaca, on international radio July 29 / 09
Go to this page, quickly download, and you'll find a 3 minute or so piece on retiring in Mexico, Oaxaca being the featured destination. Published by The World. Short and sweet:
http://www.theworld.org/2009/07/29/retire-in-mexico/
http://www.theworld.org/2009/07/29/retire-in-mexico/
7/28/2009
SWINE FLU (NOT) IN OAXACA ... COMMITMENT OF THE MEMBERS OF THE OAXACA BED AND BREAKFAST ASSOCIATION
Swine flu cases in the state of Oaxaca are rare, and in fact reported cases are no more prevalent per capital in Mexico than in the US, and much less prevalent than in Canada. However, in an effort to provide prospective visitors to our establishments with all reasonable assurances as to their safety, each member of the Oaxaca Bed and Breakfast Association commits to do the following for every guest at our member B & Bs in Oaxaca and its central valleys, until every prospective traveler to Oaxaca has had an opportunity to be vaccinated against the H1N1 virus:
1) gratuitously deliver any guest with signs and / or symptons of flu or cold to their choice of a private medical clinic in the city of Oaxaca, a public hospital in the city of Oaxaca, or an English speaking doctor in the city of Oaxaca;
2) gratuitously deliver any guest to a pharmacy in the city of Oaxaca for the purpose of buying cold / flu medications;
3) gratuitously assist any guest in translating an reasonable medical forms regarding diagnosis and treatment of cold or flu symptoms, from Spanish to English, for the purpose of facilitating reimbursement of medical / medication costs from an American or Canadian insurer.
1) gratuitously deliver any guest with signs and / or symptons of flu or cold to their choice of a private medical clinic in the city of Oaxaca, a public hospital in the city of Oaxaca, or an English speaking doctor in the city of Oaxaca;
2) gratuitously deliver any guest to a pharmacy in the city of Oaxaca for the purpose of buying cold / flu medications;
3) gratuitously assist any guest in translating an reasonable medical forms regarding diagnosis and treatment of cold or flu symptoms, from Spanish to English, for the purpose of facilitating reimbursement of medical / medication costs from an American or Canadian insurer.
7/19/2009
It's time for Mexico's Calderón to act against Canada
Alvin Starkman, M.A., LL.B. (July, 2009)
As much as president Felipe Calderón is doing to combat drug trafficking in Mexico, he’s doing little if anything to combat Canadian anti-Mexico sentiment. And the result has been taking an enormous toll on tourism to previously popular Mexican tourist destinations. Now is the most opportune time for Calderón to strike back.
It’s fine for the Canadian government to warn against travel to Mexico. In 2006 travel advisories were rampant against travel to the southern state of Oaxaca as a result of civil unrest there, despite the fact that no Canadian (or American) tourist was harmed or even threatened – videographer Bradley Will was not a tourist but rather a wannabe journalist electing to embed himself, video camera in hand, with the far left in the midst of conflict with government troops.
Just two short months ago Canada did it again, telling its citizens to not venture to Mexico because of the swine flu.
Mexico just sits back, while its economy continues to take hits to the head.
Just last month The Toronto Star’s Linda Diebel scared the heck out of Canadians through her series of articles about the Mexican drug trade. She began by tracing the problem to conflict and violence in British Columbia. So where was Calderón? Should he not have been issuing warnings to his people against venturing to war-ravaged British Coloumia?
And where has he been more recently, with new statistics regarding reported cases of swine flu indicating 20 per 100,000 Canadian residents, yet only about 7 per 100,000 of his own countrymen? Should he not be warning against travel to Canada? “Stay on the American side of Niagara Falls, folks, where reported swine flu cases are no more than they are here in Mexico.”
The most recent example of the Mexican government’s lackadaisical approach to tourism and Canada is how it has sat back and let the new visa requirements pass, without significant protest. At least the Czech Republic had the cajones to make a statement, through its actions.
Isn’t it time for Mexico to strike back against Canada, for all that the Canadian government and its journalists have done to adversely affect travel to Mexico? A plea to President Calderón: teach a lesson to Canadians who rely on tourism from Mexico for their livelihood. You’ve got the swine flu, the visa requirements, B.C.’s drug violence – and just take a look at the Greater Toronto Area pages of The Toronto Star newspaper, every day, if you want to see how dangerous it is in Toronto; teen killings, children disappearing, and the continual violence in the northwest corridor of Toronto known as Jane-Finch. Just one strong travel advisory should teach Canada a lesson, and convince its weak and impressionable Prime Minister Harper to think, independent of the U.S., before he acts.
Former Toronto resident Alvin Starkman now resides in Oaxaca, where he operates Casa Machaya Oaxaca Bed & Breakfast (http://www.oaxacadream.com), boasting all the attributes of downtown Oaxaca hotels, with the quaintness and personal touch of country inn style accommodations. Alvin is also a writer and tour guide, taking couples and families to the ruins, craft villages and market towns in Oaxaca’s central valleys.
As much as president Felipe Calderón is doing to combat drug trafficking in Mexico, he’s doing little if anything to combat Canadian anti-Mexico sentiment. And the result has been taking an enormous toll on tourism to previously popular Mexican tourist destinations. Now is the most opportune time for Calderón to strike back.
It’s fine for the Canadian government to warn against travel to Mexico. In 2006 travel advisories were rampant against travel to the southern state of Oaxaca as a result of civil unrest there, despite the fact that no Canadian (or American) tourist was harmed or even threatened – videographer Bradley Will was not a tourist but rather a wannabe journalist electing to embed himself, video camera in hand, with the far left in the midst of conflict with government troops.
Just two short months ago Canada did it again, telling its citizens to not venture to Mexico because of the swine flu.
Mexico just sits back, while its economy continues to take hits to the head.
Just last month The Toronto Star’s Linda Diebel scared the heck out of Canadians through her series of articles about the Mexican drug trade. She began by tracing the problem to conflict and violence in British Columbia. So where was Calderón? Should he not have been issuing warnings to his people against venturing to war-ravaged British Coloumia?
And where has he been more recently, with new statistics regarding reported cases of swine flu indicating 20 per 100,000 Canadian residents, yet only about 7 per 100,000 of his own countrymen? Should he not be warning against travel to Canada? “Stay on the American side of Niagara Falls, folks, where reported swine flu cases are no more than they are here in Mexico.”
The most recent example of the Mexican government’s lackadaisical approach to tourism and Canada is how it has sat back and let the new visa requirements pass, without significant protest. At least the Czech Republic had the cajones to make a statement, through its actions.
Isn’t it time for Mexico to strike back against Canada, for all that the Canadian government and its journalists have done to adversely affect travel to Mexico? A plea to President Calderón: teach a lesson to Canadians who rely on tourism from Mexico for their livelihood. You’ve got the swine flu, the visa requirements, B.C.’s drug violence – and just take a look at the Greater Toronto Area pages of The Toronto Star newspaper, every day, if you want to see how dangerous it is in Toronto; teen killings, children disappearing, and the continual violence in the northwest corridor of Toronto known as Jane-Finch. Just one strong travel advisory should teach Canada a lesson, and convince its weak and impressionable Prime Minister Harper to think, independent of the U.S., before he acts.
Former Toronto resident Alvin Starkman now resides in Oaxaca, where he operates Casa Machaya Oaxaca Bed & Breakfast (http://www.oaxacadream.com), boasting all the attributes of downtown Oaxaca hotels, with the quaintness and personal touch of country inn style accommodations. Alvin is also a writer and tour guide, taking couples and families to the ruins, craft villages and market towns in Oaxaca’s central valleys.
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